Choral Music

Relieves the dearth of information in the general music literature, as opposed to strictly African-American studies, on the contribution of the choral arrangements of African-American spirituals to choral art music in the 19th and 20th centuries. After tracing the development of the genre and summar

Lists and describes approximately 1,600 published and unpublished choral works by more than 100 African-American composers and arrangers, 600 more works than the first edition.

Battle and burial are built into the history of Lansdown Hill, so it is no great shock when part of a skeleton is unearthed there. But Peter Diamond, Bath's Head of CID, can't ignore the fresh corpse found close to the folly known as Beckford's Tower. The hill becomes the setting for one of the most puzzling cases he has investigated, involving golf, horseracing, Civil War re-enactment and the Cyrillic alphabet.Inevitably, Diamond butts heads with the group of vigilantes who call themselves the Lansdown Society, discovering in the process that his boss Georgina is a member. She resolves to sideline Diamond by sending him to Bristol and handing the skeleton investigation to his deputy, Keith Halliwell. Fortunately matters don't pan out as Georgina plans...

Giving brief, essential information on some 700 works, this guide illustrates the scope of Mass and Requiem compositions of the United States from the early nineteenth century to the present day.

This book lists nearly 3,000 original choral works written by 76 composers active in the United States from roughly 1920 until the present. Styles range from the lush Romanticism of Charles Wakefield Cadman to the stark, dissonant harmonies of Morton Feldman.

Includes the basic title page information, length, description of required performing forces, and location of the source for 3,450 extended choral works--of which 450 are categorized as oratorios--by over 1,000 composers.

Choral music represented an important part of American cultural life during the nineteenth century, whether integral to worship or merely for entertainment. Despite this history, choral music remains one of the more neglected studies in the scholarly community. In an effort to fill this gap, N. Lee Orr and W. Dan Hardin offer a new approach to the study of choral music by mapping out and bringing bibliographical control to this expansive and challenging field of study. Their unique guide focuses on literature related to choral music in the United States from the end of the second decade of the nineteenth century through the earlier part of the twentieth century. Choral Music in Nineteenth-Century America explores the entire range of choral music conceived, written, published, rehearsed, and performed by an ensemble of singers gathered specifically to present the music before an audience or congregation. The guide expertly sifts through the extensive literature to cite the most notable sources for study and provides individual chapters on the leading nineteenth-century composers who were instrumental in the development of choral music.

Lowell Mason, Horatio Parker, Amy Beach, Charles Ives, Edward MacDowell, and Arthur Foote are but some of the American composers featured in this guide.

This survey of choral literature, written by American composers from 1760 through the 1990s, examines nearly 3,000 pieces of choral music written by over 300 composers. Along with a descriptive analysis, the literature is placed within a historical perspective. Familiar and less well-known composers and their music are examined. The study seeks to remedy the superficial treatment choral music is often given in standard textbooks on American music and to acknowledge and expose the varied richness of the literature. Choral conductors and musicologists will appreciate the vast repertory of choral music literature examined. Organized chronologically, this study uniquely traces the development of choral music literature throughout the centuries. A select bibliography provides a useful guide for further research.