Introduction to Theater Process

This Very Short Introduction explores comedy both as a literary genre, and as a range of non-literary phenomena, experiences and events. Matthew Bevis studies the classics of comic drama, prose fiction and poetry, alongside forms of pantomime, comic opera, silent cinema, popular music, Broadway shows, music-hall, stand-up and circus acts, rom-coms, sketch shows, sit-coms, caricatures, and cartoons.

'Laughter', says Eric Weitz, 'may be considered one of the most extravagant physical effects one person can have on another without touching them'. But how do we identify something which is meant to be comic, what defines something as 'comedy', and what does this mean for the way we enter the world of a comic text? Addressing these issues, and many more, this is a 'how to' guide to reading comedy from the pages of a dramatic text.

This book explores the social institutions, the prevailing social values, and the ideology of the ancient city-state as revealed in Roman Comedy. "The very essence of comedy is social," writes David Konstan, "and in the complex movement of its plots we may be able to discern the lineaments and contradictions of the reigning ideas of an age." David Konstan looks closely at eight plays: Plautus's Aulularia, Asinaria, Captivi, Rudens, Cistellaria, and Truculentus, and Terence's Phormio and Hecyra.

What is the object of comedy? What makes us laugh and why? Is comedy subversive, restorative or reparative? What is at stake politically, socially and metaphysically when it comes to comedic performances? This book investigates not only the object of comedy but also its objectives - both its deliberate goals and its unintended side effects.

Examines English playwright Tom Stoppard's early journalism through his most recent comedies

For centuries scholars, philosophers, and practitioners have attempted to explain just what constitutes comedy, and though no one has come close to a definitive explanation, each attempt highlights some distinct facet of the genre. The essays gathered in Volume 16 of the annual journal Theatre Symposium illustrate well the range of material that falls under the heading "comedy" as it is played on stage.

This collection includes The Real Thing, Night & Day, Hapgood, Indian Ink and Arcadia.

Lysistrata is the most notorious of Aristophanes' comedies. First staged in 411 BCE, its action famously revolves around a sex strike launched by the women of Greece in an attempt to force their husbands to end the war. With its risqué humour, vibrant battle of the sexes, and themes of war and peace, Lysistrata remains as daring and thought-provoking today as it would have been for its original audience in Classical Athens.

This hilarious and irreverent whirlwind of lies, religious hypocrisy and family feuds features one of theatre's most perfect comedy creations, the beguiling Tartuffe.

The controversial comedic play from a master dramatist that shattered social conventions in England. Oscar Wilde's most brilliant tour de force, a witty and buoyant comedy of manners, has delighted millions with countless productions since its first performance at London's St. James' Theatre in 1895.