Taro Nettleton
Associate Professor, Art
The Impossibility of Silence: Writing for Designers, Artists and Photographers by
How to write on your art: a guidebook for artists, designers and photographers Despite the seemingly common expectation that art should be able to speak for itself, creators are often asked to explain the process behind their work, their experiences in their vocation, and, perhaps most dauntingly, the meaning conveyed by any particular piece. Drawing upon his own unique career trajectory across multiple fields as a writer, designer and teacher, Tokyo-based artist Ian Lynam offers readers a variety of approaches to writing about creative fields. Called "the Hunter S. Thompson of design writing," Lynam uses his industry knowledge and sharp sense of humor to convey his philosophy on writing specifically in a professional creative setting. This volume is not so much a straightforward how-to guide on how to write an artist's statement as it is an honest meditation on how difficult--and how important--it is for creators to have the facilities to articulate the ethos behind their own work. Lynam encourages readers to think of the blank page as another sort of canvas, a space of potential, a landscape on which an artist may explore themselves and their work farther than they thought possible. Lynam provides both inspirational text as a jumping-off point for readers as well as concrete techniques in terms of craft.
Dawoud Bey: Class Pictures by
For the past 15 years, Dawoud Bey has been making striking, large-scale color portraits of students at high schools across the United States. Depicting teenagers from a wide economic, social and ethnic spectrum--and intensely attentive to their poses and gestures--he has created a highly diverse group portrait of a generation that intentionally challenges teenage stereotypes. Bey spends two to three weeks in each school, taking formal portraits of individual students, each made in a classroom during one 45-minute period. At the start of the sitting, each subject writes a brief autobiographical statement. By turns poignant, funny or harrowing, these revealing words are an integral part of the project, and the subject's statement accompanies each photograph in the book. Together, the words and images in "Class Pictures" offer unusually respectful and perceptive portraits that establish Dawoud Bey as one of the best portraitists at work today.
A Drifting Life by
The epic autobiography of a manga master Acclaimed for his visionary short-story collections The Push Man and Other Stories, Abandon the Old in Tokyo, and Good-Bye--originally created nearly forty years ago, but just as resonant now as ever--the legendary Japanese cartoonist Yoshihiro Tatsumi has come to be recognized in North America as a precursor of today's graphic novel movement. A Drifting Life is his monumental memoir eleven years in the making, beginning with his experiences as a child in Osaka, growing up as part of a country burdened by the shadows of World War II. Spanning fifteen years from August 1945 to June 1960, Tatsumi's stand-in protagonist, Hiroshi, faces his father's financial burdens and his parents' failing marriage, his jealous brother's deteriorating health, and the innumerable pitfalls that await him in the competitive manga market of mid-twentieth-century Japan. He dreams of following in the considerable footsteps of his idol, the manga artist Osamu Tezuka (Astro Boy, Apollo's Song, Ode to Kirihito, Buddha)--with whom Tatsumi eventually became a peer and, at times, a stylistic rival. As with his short-story collection, A Drifting Life is designed by Adrian Tomine.
Red Colored Elegy by
A true cornerstone of the Japanese underground scene of the 1960s Seiichi Hayashi produced Red Colored Elegy between 1970 and 1971, in the aftermath of a politically turbulent and culturally vibrant decade that promised but failed to deliver new possibilities. With a combination of sparse line work and visual codes borrowed from animation and film, the quiet, melancholy lives of a young couple struggling to make ends meet are beautifully captured in this poetic masterpiece. Uninvolved with the political movements of the time, Ichiro and Sachiko hope for something better, but they're no revolutionaries; their spare time is spent drinking, smoking, daydreaming, and sleeping--together and at times with others. While Ichiro attempts to make a living from his comics, Sachiko's parents are eager to arrange a marriage for her, but Ichiro doesn't seem interested. Both in their relationship and at work, Ichiro and Sachiko are unable to say the things they need to say, and like any couple, at times say things to each other that they do not mean, ultimately communicating as much with their body language and what remains unsaid as with words. Red Colored Elegy is informed as much by underground Japanese comics of the time as it is by the French nouvelle vague, and its cultural referents range from James Dean to Ken Takakura. Its influence in Japan was so great that Morio Agata, a prominent Japanese folk musician and singer/songwriter, debuted with a love song written and named after it.
Red Snow by
AN AWARD-WINNING BOOK FROM A LEGENDARY MANGA-KA Continuing D+Q's groundbreaking exploration of the fascinating world of Gekiga, this collection of short stories is drawn with great delicacy and told with subtle nuance by the legendary Japanese artist Susumu Katsumata. The setting is the premodern Japanese countryside of the author's youth, a slightlymagical world where ancestral traditions hold sway over a people in the full vigor of life, struggling to survive the harsh seasons and the difficult life of manual laborers and farmers. While the world they inhabit has faded into memory and myth, the universal fundamental emotions of the human heart prevail at the center of these tender stories. Katsumata began publishing comic strips in the legendary avantgarde magazine Garo (which also published his contemporaries Yoshihiro Tatsumi and Yoshiharu Tsuge) in 1965 while enrolled in the Faculty of Science in Tokyo. He abandoned his studies in 1971 to become a professional comics artist, alternating the short humorous strips upon which he built his reputation with stories of a more personal nature in which he tenderly depicted the lives of peasants and farmers from his native region. In 2006, Katsumata won the 35th Japanese Cartoonists Association Award Grand Prize for Red Snow.
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